Dieter BucherDieter Bucher completed his training as an elementary school teacher in Klagenfurt and soon became involved in a variety of music and musical-theatrical projects with children and adults. He has authored many songs, chansons and musical theatre pieces. He also loves to help people tap into their own creative potential. Since the mid-nineties, Bucher has been a lecturer for music education at a wide range of pedagogical colleges, universities, regional music school associations and various other music and social education institutions all over Austria. For twenty years, he held music and dance workshops for people with disabilities and taught at the Schule für Sozialbetreuungsberufe (SOB) Waiern, a school that trains various kinds of social workers. He also ran music workshops with juvenile offenders at Klagenfurt Prison. His musical work with adolescent asylum seekers as well as with children and adolescents from the department of Child and Adolescent Neurology and Psychiatry in Klagenfurt is of great importance to the music educator.
With the musical-scenic exploration Die Seele des Ortes – The Soul of Place, students of the Gustav Mahler Private University for Music directed by Dieter Bucher celebrate the triumph of the spirit and change as part of preservation. Artists from the classical, jazz, folk music and elementary music education departments will interpret works by Brahms, Mittelgradnegger, Bachmann, Musil and Lavant in various formations and arrangements, ending with a multiple-part modulation of Gustav Mahler’s Liebst Du um Schönheit – If you Love for Beauty.
Contributors: Goulnara Norkina, Helena Lackner, Isabelle Hassler (scene, vocals, harp), Sajdin Horožović (accordion), Theres Karisch (dulcimer), Daniel Amann (flugelhorn, trumpet), Lukas Aldrian (cajon), Natalija Tumpej (mezzo), Laura-Sophie Zermann (soprano), Klara Veteršek (alto), Klemen Val Mihelčič (bass) / music: folk song, Johannes Brahms, Günther Mittergradnegger, Gustav Mahler, Fredrik Schwenk, Jevgenij Iršai / texts: Ingeborg Bachmann, Robert Musil, Christine Lavant / arrangements: Wolfgang Puschnig, Christopher Kuess, Reinhold Pleschberger-Schmölzer / Concept: Dieter Bucher
Fabian DudekFabian Dudek is a German saxophonist and composer. He completed both his bachelor and master’s degree in Cologne at the Hochschule für Musik und Tanz Köln, where he studied with Frank Gratkowski, Dieter Manderscheid and Sebastian Gramss. In 2017, he won the Junger Deutscher Jazzpreis for soloists in Osnabrück and the Avignon Jazz Award Tremplin Jazz Européen d’Avignon Grand Prix with the Simon Below Quartet in 2018. From 2018-2022, Fabian Dudek was the recipient of a scholarship by the Studienstiftung des deutschen Volkes. He has performed at national and international festivals and locations including Deutsches Jazzfestival Frankfurt, Moers Festival, Avignon Jazz Festival, Jazzfest Bonn, Klaeng Festival, Summer Klaeng Festival, c/o Pop Festival, Klaipeda Jazz Festival, Kölner Philharmonie, Loft, Jazz-Fabrik Rüsselsheim and many more.
Bernarda FinkBorn in Buenos Aires to Slovenian parents, Bernarda Fink received her vocal and musical training at the Instituto Superior de Arte del Teatro Colón.
Today, the mezzo-soprano performs all over the world with the most renown orchestras and conductors. Her wide repertoire ranges from Baroque to 20th century, making her one of the most sought-after concert and recital singers. She is a permanent fixture in programmes at the Vienna Musikverein and Konzerthaus, the Schubertiade Schwarzenberg, the Berlin Philharmonie, the Théâtre Royal de la Monnaie in Brussels, the Concertgebouw in Amsterdam, the Cité de la Musique in Paris, the Teatro de la Zarzuela in Madrid, the Edinburgh Festival as well as New York's Carnegie Hall and Alice Tully Hall.
Bernarda Fink supports younger generations of singers as a master class teacher and serves as a jury member at international recital competitions.
Stefan HakenbergStefan Hakenberg studied music at the universities of Düsseldorf and Cologne and composition with Hans Werner Henze, among others. In 1994, he received a doctoral scholarship from Harvard University, Massachusetts. Further grants have taken him to renowned music festivals all over the world. Hakenberg's compositional oeuvre includes compositions for a variety of instrumentations, from solo chamber music to musical theatre and multimedia installations. Composing with amateurs and collaborating with performers from the realm of folk music and non-European cultures are a particularly important part of his development as an artist.
For the Gustav Mahler Music Weeks 2022 in Toblach, South Tyrol, Stefan Hakenberg is compiling a concert program in which his interpretations of Gustav Mahler's Nicht Wiedersehen! und Ich bin der Welt abhanden gekommen will celebrate their premiere.
Michael KlaarMichael Klaar studied piano and conducting at the University of Music and Performing Arts in Vienna, as well as under Jorma Panula, Esa-Pekka Salonen, Mariss Jansons, Claudio Abbado and others. His artistic collaborations with renowned orchestras span the globe, including the Royal Stockholm Philharmonic Orchestra, Oslo Philharmonic, Gustav Mahler Youth Orchestra, Korean Symphony Orchestra, Czech Philharmonic, Swedish Radio Symphony Orchestra, St. Petersburg Philharmonic Orchestra, and Mussorgsky Philharmonic Orchestra. In his work as a lecturer at the Academy of Fine Arts Vienna and the Linz University of the Arts, Michael Klaar examined the interweaving relationship between art and music. He also explores these intersections artistically in collaborations with artists such as Eva Grubinger, Johanna Kandl, David Rabinowitch and Roman Signer.
Eva KuhnEva Kuhn studied music education and mathematics for secondary school in Würzburg from 2013 to 2021. In the autumn of 2020, she began studying composition with Moritz Eggert and artistic-pedagogical voice with Monika Riedler at the University of Music and Performing Arts in Munich. She received her first lessons in composition during her studies abroad (2016 to 2017) with Danny Hansen and Sean Calhoun at the Eastman School of Music in Rochester, NY. She has also received encouragement and support in her compositional work in Würzburg, especially from Christoph Weinhart and Almut Gatz. In 2018, she was awarded 2nd prize at the GMTH artistic competition. In addition to composition, she is particularly active in the field of early music and participates in various ensembles such as Capella Moeneris and ensemble doulce mémoire in Würzburg.
Dorit MargreiterThe Austrian photographer, video and installation artist Dorit Margreiter explores the field of tension between the private and public, the inner and outer, in her works about modernity, migration and feminism. Her video works investigate the relationships film and television create in architectural and social ideas of space. Since 2006 she has been a professor at the Academy of Fine Arts in Vienna, where she heads the department for video and video installation at the Institute of Fine Art. She represented Austria at the 53rd International La Biennale di Venezia in 2009. The internationally acclaimed artist has received numerous awards, including the 2016 Austrian Art Award for Video and Media Art in 2016. The mumok – Museum Moderner Kunst Stiftung Ludwig Wien dedicated a solo exhibition to her work in 2019.
Gabriella NobleGabriella Noble is a Mezzo-Soprano and Conductor from London, currently based in Amsterdam. Before embarking on a varied freelance career in singing and conducting she graduated with a First Class degree in Music from Oxford University, where she performed lead roles with New Chamber Opera and the experimental collective Leoe&Hyde. She went on to study solo voice ensemble singing under Robert Hollingworth at York University, where she conducted new music with the Chimera Ensemble. At the moment she studies voice with Sasja Hunnego at the Conservatorium Van Amsterdam. Gabriella discovered her love of singing through the performance of her own songs and brings this desire to tell stories into everything she does today. She has performed as a soloist with Orchestra for the Earth, Seraphin Chamber Orchestra, and Brandenburg Sinfonia, and works as a freelance ensemble singer across Europe.
Orchestra for the EarthJohn Warner is the founder and artistic director of Orchestra for the Earth, Chief Conductor of Central London Orchestra, and regularly assists world-class conductors such as Daniel Harding and Thomas Søndergård. His pioneering work with Orchestra for the Earth takes him across Europe for a wide variety of nature-inspired concerts, collaborating with leading environmental artists, scientists, and charities. 2020 saw invitations to conduct at King’s Place, British Youth Opera, the Waterloo Festival (London), St Endellion Festival (Cornwall), and Het Concertgebouw’s Mahler Festival (Amsterdam). Other recent appearances include the Corinthian Chamber Orchestra, Oxford Sinfonia, and the Orchestra of St John’s, and masterclasses with the BBC and Oxford Philharmonic orchestras. As early as 2021, the Orchestra for the Earth played at the first Mahler Forum for Music and Society.
Contributors: Flute: Peter Havlat, Oboe: Francesca Cox, Clarinet: Dan Mort, Horn: Julian Faultless, Violin 1: Roma Tic, Violin 2: Natalka Totovystka, Viola: Georgia Russell, Cello: Angus McCall, Piano/Director: John Warner
Students of the GMPU: piano: Valeria Liaskovets, percussion: Lukas Aldrian, contrabass: Petja Pogacnik, bassoon: Johannes Puchreiter
Maja OsojnikSlovenian-born Maja Osojnik is a freelance composer, sound artist, singer and free improvising musician. In her multifaceted work, she plays with a range of sonic tools such as voice, field recordings, CD players, radios, cassette players and other lo-fi electronic musical instruments. In doing so, the musician moves between virtual and real spaces, between analogue and digital art. She expands the sonic spectrums of her instruments or deconstructs them, reassigning them to other, new roles. Maja Osojnik has received many prizes and scholarships, such as the Austrian State Composition Scholarship in 2009 and 2019. Recently, Maja Osojnik has become increasingly engaged in her passion project: printing graphic editions of her sound scores.
Doina-Cezara ProcopciucDoina-Cezara Procopciuc has been studying composition since 2016 and film music composition at the University of Music and Performing Arts Vienna, with Martin Lichtfuss, Karlheinz Essl and Iris ter Schiphorst. Currently, her works are performed on various Austrian stages, including Future Art Lab Vienna, Reactor, Alte Schmiede and Anton Bruckner University Linz. She has worked with artists like Jaime Wolfson and Platypus Ensemble, Lux Brumalis Ensemble, Nimikry Duo, Jakob Steinkellner, Helena Sorokina, Helge Stiegler and many others. Her composing methodology is to create a symbiosis between the music and other dimensions, other arts. Her pieces often contain performance elements, which are realised through different media, such as recorded or live electronics, video projections, dance or movement, language and singing – “Everything has a presence and I like to put it in my own shapes.“
Elisabeth von SamsonowElisabeth von Samsonow is an artist, professor at the Academy of Fine Arts Vienna and the scientific director of the The Dissident Goddesses' Network, Forum Morgen, Lower Austria. Her international exhibitions and curatorial work, teaching, and research focus on philosophy and history in relation to a theory of collective memory; on the relationship between art, psychology, and politics throughout history until today; on the theory and history of the image of women or female identification (Young Girl studies), sacred androgyny, and the modern disintegration of the self. Her oeuvre includes sculpture, performance, painting, and video. She explores the systematic and symbolic place of female sculpture in the artistic canon and the ecological aesthetic or geo-logic of bodies.
Christine ScheucherChristine Scheucher is editor at the Austrian public radio station Ö1's cultural department. She presents the radio features Diagonal, Die Literarische Soiree and Intermezzo - Künstler und Künstlerinnen im Gespräch. She also produces cultural reports for the national broadcasting station ORF's kulturMontag and 3sat's Kulturzeit. Christine Scheucher studied comparative literature in Vienna and Berlin and completed a postgraduate master's course in quality journalism. Numerous internships in media and cultural institutions took her to Berlin and London. In her thesis, published in 2007 as part of the series Aspects of the Avant-Garde, she examines the continuation of the avant-garde in digital space. For three years she reported from Paris, mainly for the Ö1 radio feature Diagonal. In 2011, she and her Diagonaleditorial team received the Walther Rode Prize. In 2017, she was awarded the Dr. Karl Renner Prize for Journalism for her feature on Silicon Valley. She is member of the artistic advisory board of the sommer.frische.kunst festival in Bad Gastein.
Morten SolvikMorten Solvik is a Norwegian-American musicologist and director of the Institute for European Studies (IES Abroad Vienna). Solvik received his Bachelor of Arts at Cornell University and his PhD in musicology at the University of Pennsylvania, writing about Gustav Mahler. His field of research has also included Anton Bruckner and Franz Schubert. He has lived in Vienna since 1990, where he has taught at a number of institutions, including the University of Music and Performing Arts. He played a leading role in developing the music department of the Institute for European Studies in Vienna since 1999, where he has also served as Center Director since 2009. Solvik is active on the board of the International Gustav Mahler Society, Vice President of Mahler Foundation, and on the editorial board of the Anton Bruckner Urtext Gesamtausgabe. He is co-founder and artistic director of the Gustav Mahler Festival in Steinbach am Atttersee and, together with Felicitas Thun-Hohenstein, of the Mahler Forum for Music and Society, Klagenfurt.
Roland Streiner, RektorEin besonderes Highlight unserer Kooperationen mit dem Mahler Forum und der Mahler Foundation stellt die Veranstaltung am 1. und 2. Juli 2022 dar. Ich habe mich persönlich sehr um eine Zusammenarbeit und Kooperation mit dem Mahler Forum bemüht, weil das Format der Veranstaltung mit der Linie unseres universitären Profils und unseres Leitbilds übereinstimmt.
Nach langen und intensiven Gesprächen ist es uns nun mit vereinten Kräften gelungen, die Veranstaltung „A Room of One´s own – Kreativität und Raum“ an unser Haus zu holen. Dabei werden erstmals auch Kolleg*innen der GMPU im Programm mitwirken, was für uns eine große Auszeichnung ist. Ich bedanke mich bei allen Personen des Hauses, die dazu beigetragen haben. Ich darf Sie nun ausdrücklich zu dieser Veranstaltung und bereits zu ihrer Eröffnung einladen, bei der auch Landeshauptmann Dr. Peter Kaiser Begrüßungsworte sprechen wird. Ich freue mich, Sie bei „A Room of One´s own – Kreativität und Raum“ begrüßen zu dürfen.